The first ever Jart.  Take a trip to this city. The piece started in the bottom right corner, with a random assortment of colors.  Over time, technicolor palm trees and buildings would emerge under a bursting sunlight.  The blue sky helps cool the scene down slightly.  

Don't be a square around Sir Cumference.  After abstractly swirling circles with a compass on paper, a face emerged.

Sir Cumference gets hot, liquid magma hot.  

Recycled scraps saved from previous works come together for a mixer.  

Melty blue hues layer with oddly shaped shades and tints.

A far away planet named "Ghuhg" (pronounced goog).  An elderly I worked with named, John, described to me what you are seeing here.  He claims this to be his place of origin, where there are two suns and endless caves carved into the colorful mountainsides.  A mysterious wind up box sits at the mouth the river representative of the daily mysteries John would talk about day in and day out.

A work of gratitude for the professor that introduced me to design and use of Color-Aid Paper.  While he did not instruct me to recklessly cut the paper, he suggested its purchase for use with the Design course I attended in my senior year at Towson University.  His colorful profile presents itself on the right spewing colorfully layered circles, squares, and triangles.  Thank you, Churchill Davenport. 

There's a lot going on here.  

So this is what it comes to, all of the scraps that were collected over two years.  Look closely and you'll see some abstract faces appear.

This is the famous newspaper riddle gone literal. 

A collection of scattered themes and designs collect over this massive Jart.  This masterwork took over a year to complete.